Cracking the Case: Exploring Hard-Boiled Crime Fiction

Posted on March 1, 2024 by wendyturnerhargreaves

The hard-boiled detective genre is a staple of crime fiction, known for its gritty, cynical, and often violent portrayals of detectives and private investigators. It emerged in the early 20th century and has since become one of the most enduring and popular subgenres of crime fiction. In this blog post, we’ll take a closer look at the history of the hard-boiled detective genre, exploring its origins, evolution, and enduring appeal.

Origins of the genre

The origins of the hard-boiled detective genre can be traced back to the pulp magazines of the 1920s and 1930s. These magazines featured cheap, pulp paper and were printed in large numbers, making them accessible to a wide audience. They were known for their sensational and often lurid content, featuring stories about crime, adventure, and the supernatural.

One of the most popular genres in these pulp magazines was the detective story, which featured a tough, no-nonsense detective who solved crimes through a combination of wit, skill, and brute force. These detectives were often flawed, with a hard exterior that concealed a deep sense of humanity and morality. They were also typically depicted as loners, working outside the law and answering only to their own sense of justice.

Examples of novels in this genre

Sam Spade, the protagonist of Dashiell Hammett’s “The Maltese Falcon,” is a tough private investigator who operates outside the law and is willing to use violence to achieve his goals. He’s also deeply conflicted about his relationship with his partner’s widow, leading to a complex and morally ambiguous character.

Mike Hammer, created by Mickey Spillane, is a no-nonsense detective who is willing to use his fists to get the information he needs. He’s also deeply traumatized by his experiences in World War II, leading to a darker and more introspective character.

Philip Marlowe, the protagonist of Raymond Chandler’s “The Big Sleep” and other novels, is a wisecracking private investigator who is known for his quick wit and sharp tongue. He’s also deeply cynical about the corrupt society he inhabits, leading to a character who is both tough and emotionally complex.

These characters embody many of the traits of the hard-boiled detective genre, including their tough exterior, their willingness to use force, and their deep sense of morality and justice. They’re also deeply flawed and complex characters, grappling with their own traumas and demons as they navigate the seedy underworld of crime and corruption.

The hard-boiled detective genre was popularised by writers such as Dashiell Hammett and Raymond Chandler, who brought a new level of literary sophistication to the genre. Hammett’s novels, such as “The Maltese Falcon,” featured complex characters, intricate plots, and a heightened sense of realism. Chandler’s novels, such as “The Big Sleep,” took the genre in a more literary direction, with poetic prose and vivid descriptions of the seedy underbelly of Los Angeles.

Film Noir

With the rise of film noir, the hard-boiled detective genre reached the height of its popularity in the 1940s and 1950s.

Film noir is a cinematic term that refers to a specific style of filmmaking that emerged in the 1940s and 1950s, particularly in Hollywood. The term “film noir” itself is French for “black film” or “dark film,” reflecting the often dark and shadowy visual style of these films. While film noir is primarily associated with crime dramas, it encompasses a broader range of genres, including thrillers, mysteries, and even some melodramas.

It’s worth a deeper look into the characteristics of film noir. You can see how it became the ideal format for hard-boiled crime fiction.

Film noir is known for its distinctive visual style, characterised by high contrast lighting, deep shadows, and chiaroscuro effects. The use of low-key lighting often creates a moody and atmospheric look, with scenes frequently taking place at night or in dimly lit environments.
Many film noir stories are set in urban environments, often depicting the seedy underbelly of cities. Dark alleys, nightclubs, and urban landscapes contribute to the overall sense of mystery and danger.
Film noir often explores moral ambiguity, with protagonists who may be morally conflicted or antiheroes. Characters are frequently caught in a web of crime, deception, and betrayal, and the distinction between good and evil is often blurred.
Femme fatales are a common archetype in film noir. These female characters are often mysterious, alluring, and dangerous, leading the male protagonists into morally compromising situations.
Many film noir stories are influenced by hard-boiled crime fiction. The narratives often involve crime, detective work, and the exploration of the darker aspects of human nature. They often featured detectives and private investigators who were flawed, cynical, and deeply human.
Film noir uses a range of cinematic techniques, including Dutch angles, deep focus shots, and inventive camera angles. These techniques contribute to the overall visual and thematic impact of the films.

So, film noir is the perfect cinematic format for hard-boiled fiction due to its ability to visually and thematically amplify the gritty and morally complex nature of hard-boiled narratives.

Why has the hard-boiled detective genre remained so popular over the years?

Part of its appeal lies in its depiction of a world that is tough, gritty, and uncompromising. It’s a world where justice is hard-won and morality is never black and white. But it’s also a world where there is still hope, where the human spirit endures despite the odds.

Hard-boiled fiction often delves into social issues such as corruption, inequality, and crime in society. Readers appreciate stories that use the genre as a lens to explore and critique the darker aspects of the human experience.
The genre has a strong cinematic appeal, with many iconic films adapting these gritty narratives. The visual elements, film noir aesthetics, and tough dialogue contribute to the genre’s enduring popularity across different storytelling mediums.
Hard-boiled fiction often delves into social issues such as corruption, inequality, and crime in society. Readers appreciate stories that use the genre as a lens to explore and critique the darker aspects of the human experience.
Readers often admire the resilience of hard-boiled protagonists who face adversity head-on. The ability of these characters to navigate through challenging circumstances and emerge, if not unscathed, then wiser, creates a sense of catharsis for readers.

Contemporary Hard-Boiled Detectives

Harry Bosch, an LAPD detective, is the central character in Michael Connelly’s series. Bosch’s relentless pursuit of justice, even in the face of bureaucratic challenges, showcases his hard-boiled demeanour in a contemporary Los Angeles setting. Connelly’s series combines intricate plotting with a tough, no-nonsense protagonist.
Jack Reacher, a former military police major, roams the United States as a drifter, solving crimes and righting wrongs. His stoic and tough approach to justice aligns with the hard-boiled tradition, and the series explores modern-day issues through Reacher’s nomadic adventures.
Cormoran Strike, created by J.K. Rowling under the pseudonym Robert Galbraith, is a private investigator in contemporary London. Strike’s gruff demeanour, military background, and complex personal life reflect the modern interpretation of a hard-boiled detective.
Joe Pike is a former LAPD detective turned private investigator in Robert Crais’s series. Pike’s enigmatic and reserved personality, combined with his commitment to justice, embodies the hard-boiled tradition in a modern Southern California setting.
Charlie Parker is a private investigator in John Connolly’s series, which combines crime fiction with supernatural elements. Parker’s haunted past, resilience, and relentless pursuit of justice contribute to the hard-boiled atmosphere of the novels.

These contemporary hard-boiled detectives showcase the genre’s evolution, addressing modern challenges while embodying the enduring traits of toughness, determination, and a commitment to justice that define the hard-boiled tradition.

The hard-boiled detective genre has a rich and storied history that spans over a century. It has evolved from the pulp magazines of the 1920s and 1930s to become one of the most enduring and popular subgenres of crime fiction. Its gritty realism, complex characters, and uncompromising view of the world continue to captivate readers and audiences to this day.

Thanks for taking the time to read this post. If you found it informative and entertaining, please consider sharing it with your friends and followers on social media. And if you have any feedback or suggestions for future topics, I’d love to hear from you in the comments below. Don’t forget to subscribe for more content and updates, or pop over to my newsletter page for more crime stuff, direct to your inbox every month.

See you soon.

Wendy

Under the Radar: Storytelling Conventions You Might Have Missed

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Posted on February 27, 2024 by wendyturnerhargreaves

Have you ever been reading a book and thought ‘Oh, that’s a MacGuffin right there’?
No, me neither. But once you’ve read this, I promise you will!

When you’re watching a great actor on screen you can’t see them working. They seamlessly transform into the character they’re portraying, allowing us to suspend our disbelief. They become their character. Cillian Murphy does this perfectly for me. When I watch him, I can relax. I trust that he’ll deliver an immersive and believable performance.

Similarly, a well-crafted story doesn’t reveal it’s structure. We don’t need to know the plot beats or feel the shift from one to the next. We should be so immersed in the narrative that we’re carried along effortlessly on a wave of suspense and intrigue with the author as our unseen, skilful navigator. Tolkien is a master of this.

But what are the storytelling tropes that form part of an engaging and compelling narrative structure?

Here are some of the secret ingredients in a good story you may not be aware of.

Red Herrings: The Art of Misdirection
The term “Red Herring” has its roots in the world of hunting, particularly fox hunting. In the 1800s, hunters used the strong-smelling, smoked and salted herring fish to train hounds. These fish had a pungent scent that could lead the hounds astray, away from the real target (the fox). Hence, the “Red Herring” became synonymous with a diversion or distraction that misled or confused.

In storytelling, a “Red Herring” is a clever narrative device. It’s a misleading clue, character, or plot element intentionally planted by authors to throw readers or viewers off the scent of the real mystery or plot twist. It’s like a literary sleight of hand, guiding your attention in one direction while the real action unfolds elsewhere.

Red Herrings serve multiple purposes. They build suspense, add complexity, and keep us guessing. They make us question our assumptions and encourage us to engage with the story actively – they’re the art of misdirection.

MacGuffins: The Catalysts of Adventure
Coined by Alfred Hitchcock, a MacGuffin is a plot device—often an object or goal—that drives the characters and the narrative forward. Its intrinsic value is less important than its role in propelling the story. MacGuffins create a sense of urgency, setting characters in motion and providing a focal point for the audience, even if the ultimate significance may remain ambiguous.

A MacGuffin is a storytelling device commonly used in literature, film, and other forms of narrative media. It’s an object, goal, or concept that serves as a plot device, motivates the characters, and drives the story forward. However, the MacGuffin itself often has little or no intrinsic significance or importance.

The term “MacGuffin” was popularised by filmmaker Alfred Hitchcock. He explained it as an element in a story that the audience doesn’t need to fully understand but serves to set the plot in motion or create suspense. Essentially, it’s a narrative tool that keeps the story moving and characters engaged but isn’t the central focus of the plot.

Classic examples of MacGuffins include the Maltese Falcon in Dashiell Hammett’s novel “The Maltese Falcon” and the briefcase in Quentin Tarantino’s film “Pulp Fiction.” In both cases, the objects drive the characters’ actions and decisions, but their true nature or significance remains secondary to the broader narrative.

And the origin of the word? The name MacGuffin was coined by British screenwriter Angus MacPhail, probably using “‘guff’, meaning anything trivial or worthless as the root of the word.

Coined by Alfred Hitchcock, a MacGuffin is a plot device—often an object or goal—that drives the characters and the narrative forward. Its intrinsic value is less important than its role in propelling the story. Think of the Ark in “Raiders of the Lost Ark” or the briefcase in “Pulp Fiction.”

Deus ex Machina: Divine Interventions
Translated as “god from the machine,” this trope involves a sudden, unexpected resolution to a seemingly insurmountable problem. In ancient Greek theatre, a god would literally descend onto the stage, untangling complex plots. Today, it refers to any improbable or contrived resolution that saves characters from a dire situation. While it should be used judiciously to avoid undermining the narrative, a well-executed ‘deus ex machina’ can add an element of surprise and wonder.

The use of the Time-Turner in “Harry Potter and the Prisoner of Azkaban” is a Deus ex Machina. Harry and Hermione use the Time-Turner to go back in time, ensuring that they can intervene in events they previously witnessed, leading to a more favourable outcome.

Chekhov’s Gun: Everything Has a Purpose
Ever heard of “Chekhov’s Armory”? It’s an interesting variation of the renowned literary principle, “Chekhov’s Gun.” But what’s it all about?

This term pays homage to the legendary Russian playwright Anton Chekhov, a master of storytelling and drama. Chekhov famously stated, “If in the first act you have hung a pistol on the wall, then in the following one it should be fired.” His principle emphasised the importance of narrative economy.

“Chekhov’s Armory” takes this idea one step further. It suggests that if an author introduces multiple elements, objects, or characters into a story, each should serve a purpose, however subtle. In essence, nothing should be extraneous; everything contributes to the rich tapestry of the narrative.

Imagine a story where every detail, no matter how seemingly insignificant, weaves seamlessly into the plot’s fabric. Each element, even those in the background, plays a role, adding depth, foreshadowing, or thematic resonance.

Chekhov’s Armory enhances the reader’s or viewer’s immersion. It encourages them to connect the dots, anticipate developments, and actively engage with the narrative. It’s like a puzzle waiting to be solved!

In the world of storytelling, Chekhov’s Armory reminds us that every word, every image, every detail serves a purpose, and together, they create a literary symphony.

Originating from Anton Chekhov’s advice that if a gun is introduced in the first act, it must be fired in the third, this trope emphasises the importance of narrative economy. Every element in a story should serve a purpose. If an object or detail is highlighted, it should have relevance to the plot later on. This principle guides writers to create tight, cohesive narratives where no element feels extraneous.

Again, JK Rowling is known for her meticulous planning and use of Chekhov’s Gun. Items such as the Marauder’s Map, the Time-Turner, and seemingly insignificant details like the locket from “Order of the Phoenix” all play pivotal roles in the overall story.

Christopher Nolan’s “Inception” with its intricate plotting, is another example. Objects and concepts, such as the spinning top and the concept of a totem, are introduced early in the film and become central to the resolution of the story.

Nolan’s films are known for their intricate plotting, and “Inception” is no exception. Objects and concepts, such as the spinning top and the concept of a totem, are introduced early in the film and become central to the resolution of the story.

JK Rowling is known for her meticulous planning and use of Chekhov’s Gun. Items such as the Marauder’s Map, the Time-Turner, and seemingly insignificant details like the locket from “Order of the Phoenix” all play pivotal roles in the overall story.

The principle itself is named after Chekhov, and one of his plays, “The Seagull,” is often cited as an early example. In the first act, a gun is introduced, and later in the play, it is used for a suicide. This serves as a classic illustration of the principle.

The Hero’s Journey: An Archetypal Odyssey
Popularised by Joseph Campbell, the Hero’s Journey is an archetypal narrative structure found in myths and stories across cultures. It involves a hero leaving their ordinary world, facing challenges, undergoing transformation, and returning home changed.

The hero’s journey often involves the protagonist’s personal growth and transformation. Audiences are drawn to stories where characters overcome their flaws, face adversity, and emerge stronger or wiser. This journey mirrors the human experience of facing challenges and evolving through life’s trials.

Even in fantastical settings or extraordinary circumstances, the emotional and psychological struggles of the hero are relatable. The hero’s journey reflects the trials and tribulations of real-life individuals, allowing us to see ourselves in the protagonist and find inspiration in their ability to overcome obstacles.

From Frodo Baggins in “The Lord of the Rings” to Harry Potter, this trope resonates deeply with readers, providing a universal template for personal growth and adventure.

Frodo Baggins embarks on a perilous journey to destroy the One Ring and save Middle-earth. Along the way, he faces challenges, undergoes personal growth, and confronts powerful adversaries, embodying the hero’s journey archetype.

Bruce Wayne’s transformation into Batman in Christopher Nolan’s film follows the hero’s journey. He experiences a traumatic event, seeks guidance from mentors, undergoes training, and ultimately confronts crime and corruption in Gotham City.

Simba’s journey from a young cub to the king of the Pride Lands mirrors the hero’s journey. He faces loss, self-discovery, and ultimately confronts his own demons to reclaim his rightful place as king.

If you’re interested in storytelling, it’s useful to understand how employing these storytelling tropes can elevate a narrative, creating a richer, more immersive experience for the audience. But while tropes provide a foundation, it’s the unique blend and execution that distinguishes one story from another.

Look out for these techniques, and if you’re a writer, consider how you can use these tools in your creative arsenal to breathe life into your characters and plots.

See you soon.

Wendy

Building Immersive Worlds and Evoking the Right Mood

Posted on June 22, 2023 by wendyturnerhargreaves

Introduction:

As writers, one of our greatest powers is the ability to transport readers to new and captivating worlds. Building immersive settings and evoking the right mood are essential elements in creating a compelling narrative. By diving deep into the details, utilising sensory descriptions, and harnessing various techniques, we can create vivid atmospheres that resonate with readers and bring our stories to life.

Research and Immerse Yourself in the Setting:

To create an authentic and vivid atmosphere, immerse yourself in the details of your chosen setting. Whether it’s a bustling city, a remote countryside, or a fantastical realm, thorough research will enable you to portray the nuances and intricacies that make the world feel real and engaging.

Utilise Sensory Descriptions:

Engage the reader’s senses by vividly describing the sights, sounds, smells, tastes, and textures of your setting. Allow readers to experience the world through their senses, immersing them in its unique qualities and enhancing their connection to the story.

Show, Don’t Tell:

Rather than simply stating the atmosphere, show it through actions, dialogue, and vivid descriptions. Let readers feel the tension, smell the damp air, and hear the distant echoes. By immersing them in the sensory details, you create a more immersive and memorable reading experience.

Harness the Power of Weather:

Weather can be a powerful tool for setting the mood in your writing. Use rain, storms, fog, or sunshine to enhance the atmosphere and evoke specific emotions. The weather can act as a subtle backdrop or play a central role in intensifying the narrative.

Pay Attention to Lighting:

Describe how light interacts with the setting, influencing the mood. Whether it’s casting eerie shadows, illuminating key details, or creating a warm and inviting ambiance, the play of light adds depth and atmosphere to your world.

Use Contrasting Elements:

Contrast can add complexity and depth to your setting. Blend light and dark, old and new, or chaos and order to create a dynamic and compelling atmosphere. Contrasting elements provide a rich backdrop against which your characters and story can unfold.

Incorporate Cultural and Historical Nuances:

Infuse your setting with cultural and historical references that reflect the time period or specific location. By incorporating these nuances, you create a sense of authenticity that enhances the atmosphere and immerses readers in the world you’ve created.

Develop Unique Settings:

Create settings that are distinct and memorable, reflecting the mood and tone of your story. Whether it’s a quirky small town, a mysterious abandoned building, or a futuristic metropolis, make the setting integral to the atmosphere and give it a personality of its own.

Balance Description with Action:

While descriptive passages are important for setting the scene, be mindful not to overburden the narrative. Strike a balance between creating atmosphere and advancing the story. Keep the pacing steady and ensure that every description serves a purpose.

Use Symbolic Elements:

Integrate symbolic elements into the setting to deepen the atmosphere and convey deeper meaning. A cracked mirror, a towering oak tree, or a dilapidated house can evoke emotions and enhance the mood, adding layers of symbolism to your narrative.

Explore the Power of Sound:

Describe the soundscape of your setting, capturing the ambient noises, echoes, and distinct sounds that contribute to the atmosphere. Sound can immerse readers further into the world and create a multi-dimensional experience.

Infuse Cultural and Natural Elements:

Weave in the flora, fauna, architecture, and customs of the setting to ground the reader and make them feel like they are truly present in that world. These details add authenticity and depth to the atmosphere.

Consider the Impact of Time:

Describe how time affects the setting, whether it’s the transition from day to night, the passage of seasons, or the decay of a once-thriving location. The passage of time adds realism, depth, and a sense of history to your world.

Tap into Character Perceptions:

Show how your characters perceive the setting and use it to reflect their emotions, thoughts, and perspectives. Their reactions can enhance the atmosphere and provide a unique lens through which readers experience the world.

Continuously Revise and Refine:

As you write, revisit your descriptions of the setting and atmosphere, ensuring they align with the overall tone and mood of your story. Refine them to create a fully immersive and captivating experience for readers.

Conclusion:

Building immersive worlds and evoking the right mood is an art that requires attention to detail, imagination, and an understanding of the impact of your words on readers. By employing these techniques and crafting vibrant settings, you can transport your audience to new realms and create a reading experience that lingers long after the last page. So, dive deep, explore, and allow your words to breathe life into your storytelling.

#writing #storytelling #writingtips

See you soon.

Wendy

The Trench Coat and Fedora: A Fashion Legacy in Crime Fiction

Posted on March 25, 2023 by wendyturnerhargreaves

Detectives and private investigators have long been associated with a distinctive fashion style, consisting of a trench coat and a fedora hat. This iconic look has become a staple of the crime fiction genre, and its popularity has endured for decades.

Here’s a closer look at the history of the trench coat and fedora in crime fiction and why this fashion legacy still exists today.

The trench coat

The trench coat has its roots in military fashion. It was originally developed as a practical garment for soldiers in the First World War, with a durable, water-resistant design that protected them from the elements.

In the years that followed, the trench coat became popular as a stylish item of clothing for men. It was particularly popular in the film industry, where it was worn by actors such as Humphrey Bogart and Spencer Tracy in their roles as hard-boiled detectives and private investigators.

The trench coat has a rich history and has evolved over time to become the iconic garment we know today. Here are a few key milestones in the trench coat’s evolution:

The trench coat was originally developed as a military garment during World War I. Its design was based on the traditional Mackintosh coat, but with modifications that made it more practical for soldiers in the trenches. These included shoulder straps for epaulettes, a gun flap on the chest, and a storm flap on the back to help shed rain.
After the war, the trench coat became a popular civilian garment. It was particularly associated with the interwar period and the Art Deco era, and was worn by both men and women as a stylish and practical coat.
During World War II, the trench coat once again became a military garment, worn by officers and soldiers in the field. It was often made in khaki or olive drab, and was used to protect soldiers from the elements.
In the post-war period, the trench coat continued to be a popular civilian garment. It was worn by Hollywood stars and became a symbol of glamour and sophistication.
In the 1960s and 70s, the trench coat was reinterpreted by fashion designers like Yves Saint Laurent and Burberry. It became a staple of the “mod” and “preppy” styles, and was often made in bright colours or bold patterns.
In recent years, the trench coat has been embraced by high fashion once again. Designers have experimented with new fabrics, colours, and silhouettes, but the classic design elements of the trench coat – the double-breasted front, the belted waist, and the storm flap – remain timeless.

The fedora

The word “fedora” originally referred to a soft felt hat with a wide brim and a creased crown. The term is believed to have originated in the late 1800s and was named after a character in a French play called “Fedora,” which premiered in 1882.

The character, Princess Fedora, wore a hat with a soft brim and a creased crown, and the style of hat quickly became popular among fashionable women of the time. The term “fedora” eventually came to refer specifically to this style of hat, which was often made of felt and had a ribbon band around the base of the crown.

In the early 20th century, the fedora became popular with men as well, and was often worn with suits or overcoats as a stylish accessory. Today, the term “fedora” is still used to describe this classic style of hat, which remains a popular choice for both men and women who appreciate its timeless style and versatility.

In the 1920s and 1930s, the fedora became particularly associated with law enforcement officers. Police officers and detectives wore fedoras as part of their uniforms to shield their eyes from the sun and convey a sense of authority. This association with law enforcement gave the fedora a sense of rugged masculinity and toughness, which made it appealing to men of all backgrounds.

The fedora also became a popular accessory in Hollywood during this time. Many leading men of the era, including Humphrey Bogart, Cary Grant, and Clark Gable, were known for wearing fedoras both on and off the screen. Their influence helped to cement the fedora’s status as a symbol of classic masculine style.

In the post-war period, the fedora continued to be a popular accessory for men. It was often worn with suits and overcoats as a way to complete a sharp, sophisticated look. However, as fashion trends shifted in the 1960s and 1970s, the fedora fell out of favour with many men. It was seen as old-fashioned and conservative, and was often associated with the establishment and the “squares.”

Despite this, the fedora has remained a classic style that is still worn by many men today and its popularity has infused into popular culture.

Can you name all of these iconic fedora wearers?

Indiana Jones – Harrison Ford’s iconic character in the “Indiana Jones” film series is often seen wearing a fedora hat.
Frank Sinatra – The legendary crooner and actor was known for his stylish fedoras and often wore them on and off stage.
Humphrey Bogart – The classic Hollywood actor was often seen wearing a fedora in his films, including “Casablanca” and “The Maltese Falcon.”
Michael Jackson – The late pop icon was known for his signature style, which often included a fedora hat.
Bruno Mars – The Grammy-winning musician is known for his stylish fashion sense, which often includes a fedora.
Freddy Krueger – The horror movie character from “A Nightmare on Elm Street” is known for his tattered fedora hat.
Dick Tracy – The classic comic book detective is often depicted wearing a yellow trench coat and fedora hat.
The Blues Brothers – John Belushi and Dan Aykroyd’s characters in the film “The Blues Brothers” wore fedoras as part of their signature look.
Walter White – The main character in the TV series “Breaking Bad” often wore a pork pie fedora hat.
Johnny Depp – The actor is often seen wearing a fedora in his films and in public appearances.

The trench coat and fedora combo

In the 1930s, the trench coat and fedora combination began to appear in the pulp magazines of the time, which were full of tough-guy detectives and spies. The trench coat provided cover for a concealed weapon, while the fedora shielded the face from view, creating an air of mystery and danger. This look was further popularised by Hollywood films of the 1940s and 1950s, which showcased detectives and private investigators wearing the trench coat and fedora as their signature outfit.

There are several reasons for the enduring popularity of the trench coat and fedora in crime fiction. For one thing, the look is both practical and stylish, with the trench coat providing warmth and protection from the rain, and the fedora adding a touch of sophistication. The outfit also conveys a sense of authority and power, suggesting that the person wearing it is someone to be reckoned with.

But perhaps the most important reason for the trench coat and fedora’s continued popularity is their association with the detective genre. The trench coat and fedora have become a visual shorthand for the hard-boiled detective, evoking a sense of mystery, danger, and intrigue. They are instantly recognisable as symbols of the crime fiction genre, and they continue to be used in films, TV shows, and novels to this day.

So, the trench coat and fedora have become an enduring fashion legacy in crime fiction. Their popularity can be traced back to their practicality, style, and association with the detective genre. Although fashion trends may come and go, the trench coat and fedora will always remain a symbol of the hard-boiled detective and the world of crime fiction.

See you soon.

Wendy

Unpacking the Power of Storytelling: A Look at Our Ancient Connection to Narrative

Posted on February 26, 2023 by wendyturnerhargreaves

From ancient myths to modern blockbusters, storytelling has been a fundamental part of human culture for thousands of years. We love to hear stories, whether they’re told around a campfire, read in a book, or watched on a screen. But why do stories captivate us so much? What is it about a good tale that can transport us to another world, evoke strong emotions, and leave a lasting impression?

In this blog post, I’m going to look at the psychological and cultural reasons why humans are drawn to stories and why they continue to be such a powerful force in our lives.

Reading stories with my mum is one of my earliest and most cherished memories and I love writing stories for my daughters (see pic – my debut, in glorious A5 printer paper!)

From an early age, long before we can read, we’re immersed in stories. Initially we’re engaged by the repetition of sounds and patterns which promotes brain development and imagination, develops language and emotions, and strengthens relationships. We have a need for emotional connection and stories allow us to gain a deeper understanding of other people’s experiences, in a memorable and immersive way.

Throughout history, humankind has used stories to share information. Stories can elicit change, warn or teach important concepts, or simply entertain us. We might laugh or cry, feel anxious or angry with the characters we’ve invested in, and any of these provide a powerful emotional connection.

The science bit

As a storyteller, I find this fascinating, and so is the science bit. ‘Narrative progression’ as it’s called, feeds our brains. Being engrossed in a book or movie stimulates our senses and cause measurable reactions in our brain’s chemistry. Dopamine makes us feel motivated and focused, oxytocin (the ‘love chemical’) promotes feelings of trust and bonding, while endorphins give us a positive buzz.

The two parts of our brain most engaged by stories are the prefrontal cortex and the amygdala. The prefrontal cortex is the area of the brain responsible for cognition and understanding. As we follow a story, it absorbs the information and commits it to short-term memory. The amygdala, however, is responsible for emotion and long-term memory. As our prefrontal cortex receives information, the amygdala essentially “codes” the information based on the emotion we feel, which aids the processing of long-term memories. Both areas of the brain are essential to deep learning and recall.

What makes a good storyteller?

Think about anyone you know who you’d describe as a good storyteller, someone at work or a friend. What makes them so engaging? Chances are they use relatable characters, intriguing plot, emotional connection and a satisfying conclusion, mingled together to create a cocktail of all those chemicals.

As readers, we naturally search for something in characters which we can relate to. It enhances our experience of the narrative and the feeling of trust and empathy can give us a quick dose of oxytocin. The ‘hero’s journey’ from adversity to triumphant success is a familiar trope used by storytellers and forms the backbone of many great stories. The journey from adversity to triumph fires up all the chemicals in our brains and gives us that ‘feel good’ feeling. Subconsciously we search for an emotional connection and without it even a good story might not be committed to memory.

What about happy endings? Again, many great stories lead us to a satisfying conclusion, which gives us another dose of feel good as all loose ends are tied together and the hero or heroine triumphs. If we don’t experience this pay-off, we can be left feeling cheated or disappointed. Think of that series you invested hours in, where the big reveal at the end is more of a limp fob-off. It’s devastating!

Storytelling is critical in our learning process. It aids our engagement with a subject and our retention of information.

Can you use storytelling in business?

Storytelling is just as important in business too, and it doesn’t matter how dry the subject is.

A few years ago I worked as an actor on a commercial project for a battery manufacturer. The client had asked a video production company ABF, to create a training video on battery safety for its employees. ABF presented a concept which went on to win awards and was a wonderfully creative and innovative interpretation of the brief.

They told a story.

The video was shot like a mockumentary and showed a group of employees going through a series of training sessions. They had characters (the employees), plot and conflict (the training sessions) emotional connection (the employee and trainer relationships) and a satisfying conclusion (everyone passed the training, with a hint of romance thrown in).
They created a training tool which people enjoyed and engaged with. It entertained, took people on a journey and helped with their learning.

If you’d like to watch it, it’s on Facebook here.

Humans love stories because they are the framework of our perception. Stories can change our minds, make us feel something new, win our hearts. We react deeply to stories when they communicate information in a primal, insightful way and it’s what we’re looking for when we browse the bookshelves, choosing our next read or when we’re trawling through Netflix.

Some stories have a huge impact on us and can change our perception of society. Here are a few examples of stories that have had a big impact on people’s lives:

The Diary of Anne Frank: This book, which chronicles the experiences of a young Jewish girl during World War II, has been a powerful tool for teaching empathy and tolerance to generations of readers. Many people credit Anne’s story with helping them better understand the horrors of the Holocaust and the importance of standing up against hatred and discrimination.

To Kill a Mockingbird: Harper Lee’s classic novel, which explores issues of race, justice, and morality in the American South, has been hailed as a powerful tool for promoting empathy and understanding. Many people credit the book with helping them see the world through a different lens, and inspiring them to take action against injustice in their own communities.

The Fault in Our Stars: This novel by John Green, which tells the story of two teenagers with terminal illnesses who fall in love, has been a powerful source of inspiration and comfort for many people dealing with illness or loss. Readers have praised the book for its honest portrayal of the challenges of living with a serious illness, and its message of hope and resilience in the face of adversity.

The West Wing: This TV show, which aired from 1999-2006, has been credited with inspiring a new generation of young people to get involved in politics. The show, which follows the staff of the fictional White House under President Jed Bartlet, has been praised for its smart writing, engaging characters, and optimistic portrayal of the political process.

Personal stories can be incredibly powerful in inspiring people to take action or make a change in their own lives. For instance, hearing the story of someone who overcame addiction or achieved a lifelong dream can be incredibly inspiring, and may motivate others to pursue their own goals and aspirations.

Stories have been a fundamental part of human culture and communication for thousands of years. As human beings, we are naturally drawn to narratives because they help us make sense of the world around us and understand ourselves and others better.

Stories have the power to move us emotionally, inspire us to take action, and connect us with others on a deeper level. Whether it’s a classic novel, a movie, or a personal anecdote, stories can transport us to different times, places, and perspectives, and help us gain new insights and perspectives.

So, the next time you find yourself captivated by a story, remember that you’re not alone – people have been fascinated by storytelling for generations, and it’s one of the things that makes us uniquely human.

See you soon.

Wendy

Beyond the Sensationalism: Understanding the Complexities of Our Fascination with True Crime

Posted on February 18, 2023 by wendyturnerhargreaves

Crime and killers have long captivated the public imagination, whether through sensational media coverage, true crime documentaries, or fictional depictions in books and movies. But why are we so fascinated by these dark and often disturbing topics? What drives our interest in the minds and actions of those who commit violent crimes?

In this blog post, I’ll explore some of the reasons why crime and killers have become such enduringly popular subjects and look at topics that captivate us, our fascination with the macabre, and the ways in which popular culture has both reflected and reinforced our interest in these topics.

Our fascination with killers

The public’s fascination with notorious killers such as Ted Bundy and Jeffrey Dahmer are a stark example of our captivation with the actions and motivations of criminals. These two individuals in particular, due to the heinous nature of their crimes and their widespread media coverage, have become household names and continue to be subjects of intense public interest.

Bundy’s charm and charisma, coupled with his horrific acts of violence against women, have made him a subject of fascination for decades. His high-profile trial and eventual execution only added to his infamy, with media outlets covering every aspect of his case in minute detail.

Similarly, Dahmer’s gruesome crimes, which included cannibalism and necrophilia, shocked and horrified the public. His trial, which revealed the depths of his depravity, was widely covered in the media and cemented his status as one of the most notorious killers in modern history.

The ethical dilemma

When my mum (an avid reader and a fan of gory dramas) read an early draft of ‘Justified’ she said to me, “How did you come up with such a grisly murder?” It made me think. Not so much about where the idea came from, but about the concept of murder as entertainment and the ethical dilemma faced by murder mystery and crime writers.

Recently, the same question has been raised about the glamorisation of true crime following the huge success of the Jeffery Dahmer series. True crime is one of the fastest growing genres of entertainment and its followers are insatiable, demanding more stories about humanity at its darkest.

“Serial killers tantalize people much like traffic accidents, train wrecks, or natural disasters,” Scott Bonn, professor of criminology at Drew University and author of Why We Love Serial Killers, wrote at TIME. “The public’s fascination with them can be seen as a specific manifestation of its more general fixation on violence and calamity. In other words, the actions of a serial killer may be horrible to behold but much of the public simply cannot look away due to the spectacle.”

But true crime is about real people, in real, terrible situations, and that comes with real consequences. Some insist true crime exploits victims and their families, while others argue that it helps people to process their greatest fears, that it gives an insight into our culture and norms as well as our anxieties and values. Whichever side of the fence you sit on, ethically, true crime blows through our lives on a precarious breeze.

Our enduring fascination

The enduring fascination with crime and killers is a phenomenon that has captivated people for centuries. The media is awash with true crime shows, books, and podcasts, all catering to our insatiable appetite for the dark and disturbing. But why are we so drawn to these stories of murder and mayhem?

Some might argue that people are interested in crime and killers simply because it’s human nature to be drawn to sensational or dramatic events. After all, tales of violence and wrongdoing have been part of human storytelling for millennia, from the ancient Greek myths to Shakespeare’s tragedies. However, this argument alone does not fully account for the enduring popularity of these topics.

The appeal of true crime content, in particular, is not simply due to its sensational nature. True crime often involves detailed and often graphic depictions of real-life crimes, which can provide a sense of realism and authenticity that fictional crime stories may lack. It allows us to explore the darkest corners of the human psyche and understand the motivations behind heinous acts.

Another counterargument might be that our fascination with crime and killers is a result of media sensationalism, with news outlets and entertainment companies exploiting our fear and fascination with violence for profit. While it’s true that media coverage can shape public perceptions of crime and violence, our interest in these topics long predates the rise of modern media.

For instance, newspapers in the 19th century reported on sensational murder trials, and crime fiction has been popular since the days of Edgar Allan Poe.

So what are the cultural and psychological factors that drive our fascination with crime and killers?

One possible explanation is that it provides a way to explore the darker side of human nature in a safe and controlled environment. By consuming true crime content, we can satisfy our curiosity about these topics without actually putting ourselves in danger. Additionally, it may allow us to feel a sense of superiority or moral superiority, by exploring the actions of those we consider to be deviant or immoral.

Fascination with death

As I mentioned earlier, as human beings our fascination with killers, murder and all things death related has been around for centuries.

The paradox of violence and enjoyment dates back as long as human society and recorded history, from the prehistoric period and later Roman gladiatorial games.

The Victorians were fascinated by death which extended to the production of a range of Memento Mori, objects designed to remind the owner of the death of a loved one and indeed, their own eventual demise. Photographs of dead relatives became an increasingly popular feature of family albums. Not entertainment as such, but their approach to violent crime was much more recreational:

The public would explore crime scenes before the arrival of the police following a murder.
This allowed them to view the gory scene in its entirety; dead bodies and all.
Funerals were attended out of curiosity and were quite often public events, especially if the deceased had been murdered.
Accused murderers would be executed and then potentially carried down through main street for all the spectators to see.

In a completely morbid sense death is compelling, yet we fear it. You’d think that as we’re all so open about death – reading about it, watching people die on TV and in movies – that the process of dying shouldn’t be a taboo topic. But, as soon as death becomes personal the discussion ends. Suddenly, it’s completely unreasonable to talk about death. A guy’s head being skewered on a spike in Last Kingdom – not a problem. Talking about your own death – no thanks.

The origin of murder investigation in fiction

To bring this back to fiction, it’s perhaps no coincidence then that the first modern detective story is generally thought to be to Edgar Allan Poe’s “The Murders in the Rue Morgue” written in 1844, the Victorian era. In the story, Auguste Dupin solves the mystery of the brutal murder of two women in Paris. Poe’s Dupin isn’t a detective but he decides to investigate the murders for personal amusement. He displays many attributes which became literary conventions in later fictional detectives, including Sherlock Holmes and Hercule Poirot.

The genre has increased in popularity ever since. A quick search on Amazon for ‘murder fiction’ brings up 100k+ results.

Why is crime fiction so popular?

Crime fiction usually gives us a resolution along with an insight into what makes people tick. One of the reasons crime fiction is popular is because people are fascinated by human behaviour. Sometimes we’re warmed by the actions of others and at other times horrified and appalled by it. In fiction we can safely read about the darker side of humanity, and most of us enjoy the neatness of a crime solved and a criminal brought to justice. That doesn’t always happen in real life, but crime novels usually restore balance.

Plus, we like puzzles and piecing together the parts of the mystery. Can we solve the crime before the detective in the book?

We grow up reading stories which follow the same pattern; the big bad wolf eventually gets his comeuppance for terrorising the three little pigs. The fact that he ends up boiled alive is a whole new subject altogether, but it demonstrates two things; firstly, the parallel between children’s and adult’s stories, and secondly that we’re exposed to violent death from an early age. Bambi broke my heart!

For me, a good crime novel is always about the characters, their motivations and their relationships rather than the actual murder. Yes, I enjoy the pace and suspense, but ultimately, I want to know what makes the characters tick.

Because a crime scene is fascinating, but the human mind is infinitely more intriguing.

In conclusion, our fascination with crime and killers is a complex and multifaceted phenomenon that can’t be reduced to any single explanation. While human nature and media sensationalism may play a role, they do not fully account for the enduring popularity of these topics or the specific appeal of true crime content. Rather, a variety of cultural and psychological factors, such as our desire for justice, our fascination with the darker aspects of human nature, and our need for narrative resolution, all contribute to our ongoing interest in crime and killers.

Whether you’re a true crime enthusiast, a casual consumer of crime-related media, or simply curious about this enduring cultural fascination, I hope this blog post has given you some insights into the many factors that drive our interest in this topic.

See you soon.

Wendy

Were Medieval staircases Designed to Give Right-Handed Defenders an Advantage?

Posted on February 18, 2023 by wendyturnerhargreaves

The direction of the staircases in Broadstone Castle is mentioned a few times in ‘Justified’, but is it true that staircases were deliberately built in a clockwise (from the bottom upwards) direction to hinder raiders?

The theory is that attackers from below would struggle to wield a sword upwards without clanging into the central newel column (the narrowest part of the staircase) and they’d have to reach around the curve blindly while attacking. Perhaps more importantly, defenders retreating upwards would have the advantage of greater space to swing their sword arm downwards and a better view of the invaders below.

You could argue that anti-clockwise is just as problematic. Attackers would have their right hand (usually the sword wielding arm) against the outer wall of the staircase, which isn’t ideal either.

This image (from Newcastle Castle’s archives) demonstrates the issue. Undoubtedly, the attacker below is in an awkward position and is going to have a tough time swinging his sword around the central post to his right. But the chap with the axe isn’t having much fun either. His shield arm is scrunched up against the newel and he’s at risk of bashing his right arm against the outer wall as he swings.

Fighting in a tight, circular space is tough for both parties.

While there’s little solid evidence to support the case for clockwise construction, there’s also no evidence which proves otherwise. Sometimes, as John says in ‘Justified’, interpreting medieval history involves reading between sketchy lines and there’s no documented proof that potential attacks were ever an architectural or engineering consideration. You could argue, that if invaders are in your stairwell the battle is probably already lost.

A potentially more useful ploy was to build uneven stairs. The regular occupants would be aware of the irregularities, but an unseasoned invader would be more likely to stumble and alert the defenders above of their approach. Again though, were uneven steps a deliberate design feature or just a result of years of use and the availability of materials at the time?

There are also practical considerations. Someone carrying a pail in their right hand for example would find it easier to ascend in a clockwise direction. Or perhaps the stairwells were used in pairs, with one for ascending, one for descending, as passing on a spiral staircase is a tricky business. It makes sense that practical, daily considerations would outweigh the possibility of needing to fight invaders.

During my research for the book, the most comprehensive study I found on this subject was compiled by the Castle Studies Group. Established in 1987 by the then Secretary Dr Robert Higham, the Castle Studies Group includes members both professional and amateur from a wide and varied range of historical and archaeological backgrounds, both in the British Isles and overseas.

Their extensive study of this subject, including dozens of site visits, shows that while Norman castles did favour clockwise staircases, from the mid-1200s to the end of the 15^th century, anti-clockwise took over. In some instances, this appeared to be a design preference or for domestic flow, with staircases in opposing towers mirroring each other rather than turning in the same direction.

So, gradually over several hundred years, the trend for clockwise evolved into a tendency to have both, and aesthetic needs overtook practical considerations.

A bit like mobile phones, which started out as handheld bricks, went smaller and smaller and are now huge again …

If you have a spiral staircase, let me know which way it goes!

If this intrigues you, more comprehensive articles on the subject can be found below:

The Rise of the Anti-clockwise Newel Stair, Neil Guy, http://www.castlestudiesgroup.org.uk/CSGJournal2011-12X5stairs.pdf

Mediaeval Mythbusting Blog #3: The Man Who Invented the Spiral Staircase Myth, James Wright, https://triskeleheritage.triskelepublishing.com/mediaeval-mythbusting-blog-2-the-man-who-invented-the-spiral-staircase-myth/

See you soon.

Wendy

Castle Inspiration From A UK Staycation

Posted on February 17, 2023 by wendyturnerhargreaves

I’ll be honest; we mostly planned our last family staycation based on the number of castles we could visit in one week.

I’m such a castle geek, and having visited most of the castles in the UK I was excited to discover I’d never been to any in Northumberland. Fortunately, my partner shares my love of history, and our daughters are so laid back they’re happy to romp around some ramparts for a while as long as there’s an ice cream at the end of it.

It’s a double win for me. I’m an amateur photographer and it’s a great excuse to get out my ‘big’ camera and shoot some interesting pics for the family album and my inspiration files.

Northumberland didn’t disappoint. I’m going to sound like the Tourist Board here, but it’s a beautiful part of the country, rich in history and packed with places to visit. Plus – bonus – no one was travel sick on the journey.

Lindisfarne

No trip to Northumberland is complete without a trip to Holy Island. Historically, it’s a fascinating place, and its limited accessibility adds to its mystique. The causeway road can only be crossed during certain hours when the tide out, so it varies daily. Lindisfarne Priory on the island was one of the most important centres of early Christianity in Anglo-Saxon England.

Here’s the history bit:

St Aidan founded the monastery in AD 635, but St Cuthbert, prior of Lindisfarne, is the most celebrated of the priory’s holy men. After his death, people came to pray at the grave and claimed miracles of healing occurred after their visit. To the monks of Lindisfarne this was a clear sign that Cuthbert was now a saint in heaven and as the saint’s community, they should declare this to the world.

They decided to allow 11 years for his body to become a skeleton and then ‘elevate’ his remains on the anniversary of this death (20th March 698). To their surprise, when they opened the coffin, they found a complete and undecayed body.

The cult of St. Cuthbert began, and pilgrims began to flock to the shrine.

From the end of the 8th century, the isolated island with its rich monastery was easy prey for Viking raiders. In 875 the monks left, carrying Cuthbert’s remains, which after long wanderings were enshrined in Durham Cathedral in 1104, where they still rest. Only after that time did Durham monks re-establish a priory on Lindisfarne: the evocative ruins of the richly decorated priory church they built in c. 1150 still stand, with their famous ‘rainbow arch’ – a vault-rib of the now vanished crossing tower.

Lindisfarne castle is a distinctive landmark and can be seen on its loft crag from miles away. Following the dissolution of the monasteries by Henry VIII, the Castle was built in the 1550s using stones from the demolished Priory.

Alnwick Castle

The second largest inhabited castle in the UK, Alnwick has served as a military outpost, a teaching college, a refuge for evacuees, a film set, and remains a family home. You might recognise it from the Harry Potter films, and on the day we visited there were broomstick ‘flying’ lessons and other Harry Potter themed activities happening throughout the day.

The castle construction began around 1096 and it became home to the Percy family (who still live there today) in 1309. The library is simply stunning with – cue book envy – over 14,000 books on its multi layered shelves. Because it’s still a family home, visitors are asked not to take photos inside, but this pic from the castle’s Facebook page shows the library in all its beauty.

Bamburgh Castle

Bamburgh Castle has stood guard above the spectacular Northumberland coastline for over 1,400 years. Spanning nine acres of land on its rocky plateau, it’s one of the largest inhabited castles in the country.

There’s been some kind of defensive structure at Bamburgh since at least the 6th century and it’s regarded as the ancient capital of the powerful kingdom of Northumbria.

Bamburgh, or it’s ancient name of Bebbanburgh, is mentioned extensively throughout the TV series ‘The Last Kingdom’. The series was filmed mostly in Hungary, but some of the battle scenes from season three were filmed on Bamburgh beach in the shadow of the famous castle. Both Robin of Sherwood (TV series) and the movie Robin Hood Prince of Thieves also used Bamburgh as a set.

Dunstanburgh

Well worth the walk, Dunstanburgh, is an iconic castle ruin and was once one of the largest and grandest fortifications in Northern England. It was built by Thomas, the Earl of Lancaster, between 1313 and 1322, a powerful English baron and the second richest man of his time, after the king of England.

It’s a stunning ruin, and although it lacks the grandeur of Alnwick and Bamburgh, I enjoyed it the most. I like the honest simplicity of a ruin and how a ruin challenges your imagination. I’m always drawn to windows and doorways. Where did they lead to? What did the occupants see and what were they thinking as they looked out across the beautiful landscape? Some of the more manicured castles fill in those precious gaps too much for me.

There are 70 castles in Northumberland, and we managed to visit three. In our defence, we were distracted by the gorgeous beach near our cottage and hindered by a couple of days of good old British rain.

Which castle provided the inspiration for Broadstone?

Although Broadstone is fictitious and an amalgamation of all the beautiful castles I’ve visited over the years, Kenilworth castle can probably take the credit for inspiring me the most. I first went in my late teens and I remember feeling a profound spiritual connection to it that I still can’t really explain. It’s mostly a ruin, but it blew me away.

The image of the keep (right) is the closest visually to how I imagine Broadstone castle.

See you soon.

Wendy

Inspirations: The Literary Voices That Inspired My Writing Journey

Posted on September 30, 2022 by wendyturnerhargreaves

As an author, inspiration can come from a variety of sources – from personal experiences and observations, to other works of literature and art. In this blog, I’ll explore some of the literary inspirations that have influenced my writing journey. From classic authors to modern-day crime writers, I’ll delve into the works that have shaped my writing style and approach, and share some insights into how these inspirations have helped me to craft my own voice. Whether you are an aspiring writer or simply a lover of literature, I hope that this blog will offer some insights and inspiration to help you on your own creative journey.

Early days

The inspiration to write began for me in childhood and came from a love of stories and the escapism of immersing into another world.

I had a lovely family and a happy home, but I remember at times being bored by the mundanity of everyday life. Where could I go, who else could I be, what experiences could I have through opening up my imagination and being somewhere else?

Enid Blyton

Enid Blyton satisfied my thirst for adventure in my early days, first with The Magic Faraway Tree series and later with The Famous Five and the Malory Towers books. They were entertaining and immersive but also influential in supporting a strong moral framework. I so wanted to be George in the Famous five, solving mysteries with my friends and my dog at my side!

As an adult, I enjoy how she wrote from her unconscious mind or her ‘under-mind’ as she described it, in a largely unplanned and spontaneous way. In this quote, from a letter to psychologist Peter McKeller (who wrote to her asking about her imagery techniques), she describes her writing method:

I shut my eyes for a few minutes, with my portable typewriter on my knee – I make my mind a blank and wait – and then, as clearly as I would see real children, my characters stand before me in my mind’s eye … The first sentence comes straight into my mind, I don’t have to think of it – I don’t have to think of anything.

As a writer who finds outlining and planning a grind, I love the freedom she expresses here. As she explained in her autobiography: “If I tried to think out or invent the whole book, I could not do it. For one thing, it would bore me and for another, it would lack the ‘verve’ and the extraordinary touches and surprising ideas that flood out from my imagination.”

Of course, she faced a critical backlash and has been decried for rehashing stories, plagiarising other books (including her own) and for ‘lacking literary merit’. She’s been accused of racism, xenophobia, and sexism and later editions of her books amend some references for modern day readers. I do love her response to her critics though, which was that they were motivated by jealousy, and she wasn’t interested in the opinion of anyone over the age of 12.

Enid Blyton’s huge body of work has influenced many modern day authors including Peter Hunt, Jaqueline Wilson and Stieg Larsson, and her stories and characters certainly had an impact on me.

Elizabeth Chadwick

For her ability to breathe life into historical characters Philippa Gregory remains an inspiration to me, along with Ken Follet (Pillars of the earth series – truly magnificent) and Elizabeth Chadwick. Her William Marshall books, especially Scarlet Lion, are beautifully crafted, and her ability to transport the reader back in time is breath-taking. I’m sure Henry Stanton, referenced in ‘Justified’ as John’s historical hero, was inspired by her description of tournaments in the 12^th and thirteenth centuries.

Elizabeth (who was born in Bury where I live – random fact) is renowned for her historical accuracy and diligent research methods when drafting her books. Want to know what a cauldron of pottage is like? Cook it. Want to know what chain mail feels like? Wear it! I love this commitment to truly understanding what you’re writing about and how it elevates her descriptions to a higher level of richness.

Interestingly to me, she has also investigated the use of akashic records when trying to ‘reach’ or understand a particular character. Now this is a vast subject and a diversion from this article, but as someone interested in past life regression and reincarnation, I was intrigued by this more unusual method of author research.

Briefly, the akashic records are believed to be an energetic log, a Google search for your soul. In it are records of everything that has ever existed or taken place, including a record of all universal events, thoughts, words, emotions and intent ever to have occurred in the past, present, or future in terms of all entities and life forms.

In essence, when you read your own records or the records of someone else, you are connecting with the soul of a person. It’s a sacred space. One that is deeply personal, private and that spans all the lifetimes of a particular soul.

My characters are entirely fictitious, but for Elizabeth Chadwick, trying to truly understand a real character from over 700 years ago, I can see how this would be a fascinating avenue of research.

Stephen King

Of all the great storytellers I’ve enjoyed, Stephen King has had the most impact and remains at the top of my ‘greatest inspirations’ list. My dad first introduced me to the horror and thriller genre, first with Dean Koontz (another favourite) and inevitably Stephen King. He is an exceptional storyteller, and his ability to build tension and an overarching sense of impending doom is unrivalled. I love the pungent prose and laid-back style which make his books so unique and he’s a master craftsman of vivid description that puts the reader right there alongside his characters. Hard to choose a favourite from his book list but It for its epic landscape and detail and The Dark Half for its creative intrigue, would be my picks.

Stephen King’s written extensively about writing and his book ‘On writing’ is a must for anyone interested in becoming an author. His observations and advice are expressed in an approachable way through his struggles (and repeated rejections) during the years he developed his craft.

In my late teens I was a passenger in a car accident and had to appear as a witness in court. It was a grim experience and testifying was terrifying, but it was the catalyst for my fascination with courtroom dramas and police investigations. I devoured John Grisham, Scott Turow and Michael Connelly and more recently Peter James, Peter Robinson and James Patterson. Each of these exceptional authors cleverly concoct the ultimate cocktail of character, story and plot.

Thomas Harris

My last mention is Thomas Harris, who beautifully straddles the horror, crime and thriller genres. ‘Silence of the lambs’ blew me away when I first read it (before the movie came out) and Hannibal Lecter is now an iconic character, perhaps because as readers we’re both captivated and repulsed by him. He’s intelligent and cultured but capable of extreme violence, he’s smart and cunning but eats the humans he kills. Harris crafts a complex character and draws his readers into a dark, terrifying but fascinating world. The conversations between Clarice and Hannibal are far deeper in the book and demonstrate remarkable knowledge of the human mind and how our pasts imprint on our present.

Read ‘Red Dragon’ first then ‘Silence of the lambs’ for a masterclass in super-smart suspense and horror.

So that’s a race through my inspirations, all of whom I’m sure have influenced my own writing in some way.

Motivational speaker Jim Rohn famously said that we are the average of the five people we spend the most time with. How wonderful would it be if we became an author amalgamation of the five writers we spent the most time with? 😊

In conclusion, my literary inspirations have played a crucial role in shaping my writing journey, and these writers have not only inspired me but also challenged me to push my own creative boundaries.

Whether you are an aspiring writer or simply a lover of literature, I hope that my exploration of these inspirations has offered some insights and inspiration to help you on your own creative journey. Remember, the most important thing is to stay true to your own voice and vision, and to keep writing with passion and purpose.

See you soon.

Wendy

Wendy Turner-Hargreaves

Category Archives: Research

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Beyond the Sensationalism: Understanding the Complexities of Our Fascination with True Crime

Were Medieval staircases Designed to Give Right-Handed Defenders an Advantage?

Castle Inspiration From A UK Staycation

Inspirations: The Literary Voices That Inspired My Writing Journey

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