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From Femme Fatales to Sleuths: Tracing the History of Women in Crime Fiction

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When it comes to crime fiction, strong female characters are often at the forefront of the action. They bring a unique perspective to the genre, one that challenges traditional gender stereotypes and offers a refreshing alternative to the usual male-dominated narrative. These characters are smart, resourceful, and never back down from a challenge, no matter how daunting it may seem.

Crime fiction has long been a popular genre, capturing the attention of readers with its gripping plots and suspenseful twists. And while the genre is often associated with male detectives and hard-boiled protagonists, women have been an integral part of crime fiction from its earliest days.

From the classic femme fatales of the 1940s to the modern-day sleuths, here’s a brief history of women in crime fiction.

The Femme Fatale Era

The femme fatale era of crime fiction emerged during the 1940s, a time of great social upheaval. World War II was raging overseas, and at home, women were entering the workforce in large numbers to support the war effort. This led to a shift in traditional gender roles and challenged the notion of women as passive and submissive.

In the world of crime fiction, this changing social landscape was reflected in the portrayal of women as complex and multi-dimensional characters. The femme fatale archetype emerged as a response to the shifting power dynamics between men and women.

Femme fatales were often depicted as beautiful and alluring, using their sexuality and charm to manipulate men into doing their bidding. They were smart and cunning, often outwitting the male detectives who sought to bring them to justice.

But while femme fatales were powerful and independent, they were also deeply flawed characters. They were often motivated by greed or revenge, and their actions often had dire consequences for themselves and the men who fell under their spell.

One of the key themes of the femme fatale era was the idea of female agency. Femme fatales were not passive victims or objects of desire, but active participants in their own lives. They challenged traditional notions of femininity and defied the expectations placed upon them by society.

At the same time, however, the portrayal of femme fatales was often problematic. They were frequently depicted as immoral or evil, reinforcing negative stereotypes about women and their sexuality. In many cases, they were punished for their transgressions, either through death or imprisonment.

Despite these limitations, the femme fatale era marked an important milestone in the history of women in crime fiction. It paved the way for future generations of strong and complex female characters, who would challenge gender stereotypes and redefine the genre in their own image.

One of the most iconic examples of the femme fatale is Phyllis Dietrichson from James M. Cain’s “Double Indemnity.” The novel was adapted into a classic film noir in 1944, with Barbara Stanwyck portraying Phyllis as a scheming housewife who conspires with insurance salesman Walter Neff to murder her husband. Other notable femme fatales from this era include Brigid O’Shaughnessy from Dashiell Hammett’s “The Maltese Falcon” and Kathie Moffat from “Out of the Past” by Daniel Mainwaring.

The Rise of Female Sleuths

As the years went on, the portrayal of women in crime fiction began to shift. Instead of being relegated to supporting roles or being portrayed as dangerous seductresses, women began to take centre stage as detectives and sleuths. The 1970s saw the rise of female private investigators like Sue Grafton’s Kinsey Millhone and Sara Paretsky’s V.I. Warshawski, who broke down gender barriers in the genre and proved that women could be just as tough and capable as their male counterparts.

In the 1990s, the popularity of cosy mysteries soared, and female protagonists became even more prevalent. These books often featured amateur detectives or small-town sleuths, and their heroines were typically smart, resourceful women who used their wits to solve crimes. Series like “The Cat Who…” by Lilian Jackson Braun and the “Miss Marple” novels by Agatha Christie paved the way for a new generation of cosy mysteries, and female authors like Janet Evanovich and Charlaine Harris became household names with their bestselling series.

Modern-Day Heroines

Today, female protagonists are more prevalent than ever in crime fiction. They come in all shapes and sizes, from hard-edged detectives to amateur sleuths to forensic experts. These heroines are strong, complex characters who challenge readers’ expectations.

One of the most popular modern-day heroines is Lisbeth Salander from Stieg Larsson’s “Millennium” series. Lisbeth is a brilliant hacker with a troubled past who becomes entangled in a web of corruption and violence. She’s a survivor and a fighter, and her unapologetic approach to life has made her an icon of feminist crime fiction.

Another popular series featuring a female detective is Tana French’s “Dublin Murder Squad” novels. French’s protagonists are complex and flawed, and their investigations often bring them face-to-face with their own personal demons. In “In the Woods,” for example, detective Cassie Maddox is forced to confront her past when she investigates the murder of a young girl who bears a striking resemblance to her.

The history of women in crime fiction is a long and fascinating one. From the femme fatales of the 1940s to the female sleuths of the 1970s and beyond , women have been an integral part of the genre, both as characters and as authors. Over the years, the portrayal of women in crime fiction has evolved, reflecting changing attitudes towards gender roles and female empowerment.

Today, readers of crime fiction have a wealth of strong female characters to choose from, each with their own unique personality and approach to solving crimes. Whether they’re hard-edged detectives, quirky amateur sleuths, or brilliant forensic experts, these heroines are a testament to the power and resilience of women in the face of danger and adversity.

Not just the main event – secondary characters

In crime novels, strong female characters can take on a variety of roles. They can be detectives, witnesses, victims, or even villains. Regardless of their position in the story, these women are multi-dimensional and powerful. They’re not just sidekicks or love interests – they’re the driving force behind the narrative.

Although there are some notable female detectives in crime fiction, there are other, secondary characters who have just as much impact on the storyline and plot:

Three stand out for me:

•            Lucy Farinelli from “The Scarpetta Factor” by Patricia Cornwell – Lucy is a forensic investigator who works alongside the main protagonist, Dr. Kay Scarpetta. She is highly skilled in her field and provides invaluable insights and support to Scarpetta throughout the investigation.

•            Annie Cabbot from “In a Dry Season” by Peter Robinson – Annie is a police detective who works alongside the main protagonist, Detective Inspector Alan Banks, to solve a decades-old murder case. She is intelligent, resourceful, and not afraid to challenge Banks when she disagrees with his methods.

•            Dr. Maura Isles from “The Surgeon” by Tess Gerritsen – Dr. Isles is a medical examiner who works alongside the main protagonist, Detective Jane Rizzoli, to solve a series of gruesome murders. She is highly skilled in her field and provides valuable insights into the victims’ injuries and cause of death.

I would also add Lisbeth Salander from “The Girl with the Dragon Tattoo” by Stieg Larsson (again!) and Katrin Siska from “The Man Who Watched Women” by Michael Hjorth and Hans Rosenfeldt.

These characters are all strong, complex, and multi-dimensional, and they play important roles in their respective stories, proving that women can be just as capable and intelligent as men in the world of crime fiction.

In a genre that is often dominated by male characters, these women provide a much-needed balance. They prove that strength and intelligence are not exclusive to men and that women can be just as capable in high-pressure situations.

The power of vulnerability

The vulnerability of strong female characters is what truly sets them apart in crime fiction. While they may be incredibly capable and intelligent, they are not invincible, and they are not perfect. They are flawed, they make mistakes, and they struggle with their own inner demons, just like any other human being.

It’s this vulnerability that makes these characters so relatable to readers. We see ourselves in their struggles and their triumphs. We understand what it’s like to face obstacles and challenges, and we root for these characters to succeed, even when the odds are stacked against them.

But this vulnerability is not just a plot device – it’s a reflection of the reality that many women face in their everyday lives. Women are often subjected to societal pressures and expectations that can be overwhelming and daunting. They are expected to be perfect, to have it all together, and to never show weakness or vulnerability. But this is an unrealistic and unhealthy standard to live up to.

In crime fiction, strong female characters provide a refreshing alternative to this unrealistic expectation. They show us that it’s okay to be vulnerable, to have flaws, and to struggle. They show us that it’s possible to be strong and capable while also being human and imperfect.

These characters serve as role models for young girls, showing them that they can be anything they want to be, regardless of their gender. They offer a sense of empowerment and inspiration, reminding us that women are capable of achieving greatness and breaking down barriers.

Who are my favourites?

If I have to choose, there are two standout characters for me, both sassy and inspirational women and beautifully written.

Jane Rizzoli – Tess Gerritsen

Detective Chief Inspector Jane Rizzoli is a complex and dynamic character in Tess Gerritsen’s crime fiction novel “The Surgeon.” As the main detective of the story, she is highly competent and driven, but also flawed and vulnerable.

Rizzoli is a tough and determined investigator who takes charge of the case involving a serial killer who has been terrorizing the city. She is respected by her colleagues and superiors for her intelligence, attention to detail, and ability to think outside the box. She is also highly dedicated to her job, often putting in long hours and sacrificing her personal life for the sake of the investigation.

However, Rizzoli also has a darker side. She has a strained relationship with her family, particularly her mother, who disapproves of her career and often belittles her. Rizzoli also has a tendency to push people away and isolate herself, which can make it difficult for her to form close relationships or trust others.

Throughout the novel, Rizzoli struggles to balance her personal and professional life while also dealing with the trauma of her own past, which is connected to the case she is investigating. Her weaknesses and faults make her a relatable and human character, and her determination and strength make her a powerful force in the story.

Overall, Detective Chief Inspector Jane Rizzoli is a well-rounded and compelling character who adds depth and complexity to the crime fiction genre.

Jane Tennison from “Prime Suspect” by Lynda La Plante

Jane Tennison is a strong and complex character in Lynda La Plante’s crime fiction series “Prime Suspect.” As a female detective in a male-dominated profession, she faces many challenges and obstacles but rises to the top of her field through her intelligence, tenacity, and perseverance.

Throughout the series, Tennison’s character develops and evolves. In the beginning, she is often dismissed and underestimated by her colleagues due to her gender. However, she proves herself time and time again through her excellent detective work and determination to solve even the toughest cases.

Tennison is portrayed as a flawed character, with a complex personal life and a tendency to struggle with alcoholism. However, she is also highly dedicated to her job and is willing to put in the long hours and hard work necessary to succeed.

One of Tennison’s defining traits is her willingness to go against the norms and expectations of her profession and society at large. She challenges gender stereotypes and expectations of how a female detective should behave, often facing criticism and pushback from her colleagues.

Despite the challenges she faces, Tennison is a highly competent and respected detective who is able to solve even the most difficult cases. She is a powerful representation of a strong, independent woman who can succeed in a male-dominated profession through her intelligence, hard work, and determination.

Overall, Jane Tennison is a dynamic and multi-faceted character who adds depth and complexity to the crime fiction genre. She is a powerful representation of a strong female character who challenges the status quo.

So, strong female characters are a force to be reckoned with in crime novels. They bring a fresh perspective to the genre and challenge traditional gender stereotypes. These characters are multi-dimensional, powerful, and relatable, offering readers a glimpse into what it means to be a strong, capable woman in today’s world.

Thanks for taking the time to read this post. If you found it informative and entertaining, please consider sharing it with your friends and followers on social media. And if you have any feedback or suggestions for future topics, I’d love to hear from you in the comments below. Don’t forget to subscribe for more content and updates, or pop over to my newsletter page for more crime stuff, direct to your inbox every month.

See you soon.

Wendy

    Sidekicks in Crime Fiction: Adding Depth to Character Dynamics

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    Crime fiction is a genre that has captured the hearts and minds of readers for centuries. From classic detective novels to modern thrillers, crime fiction has the power to transport readers to the dark underbelly of society and immerse them in a world of danger, intrigue, and suspense.

    One of the key elements that sets crime fiction apart from other genres is the dynamic between the protagonist and their sidekick. Often serving as a sounding board, comic relief, or even a source of conflict, sidekicks can add depth to character dynamics and provide a unique perspective on the story.

    Sidekicks come in many forms, from law enforcement partners to criminal accomplices. Police procedural novels often feature partners in law enforcement, such as detectives, FBI agents, or other law enforcement officials. These partners often serve as sounding boards for the protagonist, bouncing ideas off each other and working together to solve the case.

    In contrast, criminal accomplices can offer a unique perspective on a case. These sidekicks may be reluctant or unwilling partners in crime, forced to work with the protagonist for their own reasons. This can create a complex and morally ambiguous relationship between the protagonist and their sidekick.

    Here are a few examples of famous sidekicks in crime fiction:

    Dr. John Watson from Arthur Conan Doyle’s “Sherlock Holmes” series
    Robin Ellacott from Robert Galbraith’s “Cormoran Strike” series
    Sergeant Lewis from Colin Dexter’s “Inspector Morse” series
    Ariadne Oliver from Agatha Christie’s “Hercule Poirot” series
    Detective Sergeant Barbara Havers from Elizabeth George’s “Inspector Lynley” series
    Watson Bryant from John Grisham’s “The Runaway Jury”
    Jesse Stone from Robert B. Parker’s “Jesse Stone” series
    Marty Hart from Nic Pizzolatto’s “True Detective”
    Hawk from Robert B. Parker’s “Spenser” series
    Tinker Dill from Dashiell Hammett’s “The Thin Man”

    One of the key functions of a sidekick in crime fiction is to help the protagonist navigate through the complex world of crime. Whether it’s providing technical expertise, emotional support, or even physical backup, sidekicks often play a vital role in helping the protagonist achieve their goals. By working together, the protagonist and their sidekick can overcome seemingly insurmountable obstacles and bring criminals to justice.

    But sidekicks are more than just a means to an end – they can also be fully-realised characters in their own right. Some sidekicks are just as complex and intriguing as the protagonist, with their own motivations, fears, and desires. In some cases, the sidekick may even have their own character arc or storyline that runs parallel to the protagonist’s. This adds an additional layer of depth to the story and can keep readers engaged and invested in both characters.

    True Detective


    One of my personal favourites is Marty Hart in ‘True Detective’. Marty Hart is a prime example of a sidekick who serves as a foil to the protagonist in crime fiction. In “True Detective,” he is the partner and friend of the main character, Rustin “Rust” Cohle, and provides a contrasting perspective to Cohle’s pessimistic and nihilistic worldview.

    Hart, played by Woody Harrelson in the television series, is a family man with a more optimistic and traditional outlook on life. He is a detective in the Louisiana State Police and has a more grounded and practical approach to police work compared to Cohle’s more philosophical approach. Hart is also a flawed character with a complicated personal life, including infidelity and alcoholism, which contrasts with Cohle’s more monastic lifestyle.

    Throughout the series, Hart serves as a sounding board for Cohle’s ideas and theories, challenging him when he goes too far in his bleak worldview. At the same time, Hart’s flaws and mistakes are exposed, highlighting the differences between the two characters and adding depth to their relationship.

    Marty Hart’s character is an excellent example of how a sidekick can add complexity to a crime fiction story by serving as a foil to the protagonist. By offering a contrasting perspective to the main character, sidekicks like Hart can add depth to the story and highlight the protagonist’s flaws and strengths.

    If you haven’t seen this series I highly recommend it. Matthew McConaughey’s performance is an acting masterclass.

    Dr Watson


    Dr. John Watson is one of the most iconic sidekicks in crime fiction and an integral part of the “Sherlock Holmes” series by Arthur Conan Doyle. He serves as the loyal friend and partner of the brilliant detective Sherlock Holmes and is the narrator of most of the stories in the series.

    Watson is a former army surgeon who meets Holmes through a mutual acquaintance and becomes his flatmate and assistant in his investigations. He provides a contrasting perspective to Holmes, who is known for his cold and analytical approach to crime-solving. Watson is more empathetic and emotional, often serving as the emotional anchor to Holmes’ more detached persona.

    Portrayals of Dr Watson. Image credit: sherlockshome.net

    Throughout the series, Watson’s character develops beyond his initial role as a narrator and sidekick. He grows in his own right as a character, eventually becoming a successful writer and even marrying and starting a family. Watson’s character is also used as a tool for Conan Doyle to provide exposition and backstory for Holmes and the cases they investigate.

    Watson’s role as a sidekick is essential to the “Sherlock Holmes” series, as he provides a more human and relatable perspective to the genius detective. His contrasting personality and role as a supportive friend and partner make him an excellent foil to Holmes, highlighting the detective’s eccentricities and making the dynamic between the two characters all the more compelling.

    Doyle himself spoke highly of Watson, calling him a “character for whom I have the highest regard” and “a composite of several of my medical friends and myself.” He also acknowledged that the character of Watson was essential to the success of the Sherlock Holmes stories, stating that “Holmes, who has no peer in solving small puzzles, is eclipsed by his own sidekick in the larger one of personality.”

    If Watson interests you, this is a great article on the different portrayals of him in film and on TV. https://sherlockshome.net/2016/05/27/10-greatest-ever-portrayals-of-dr-watson

    Unusual partnerships


    Aside from the typical detective partnerships, often two completely different (and often opposing) characters come together in crime solving unity. I love these unlikely pairings, and the exploration of their relationship adds another layer of intrigue to the central investigative plotline.

    Here are a few notable ones:


    “The Alienist” by Caleb Carr – In this novel, the unconventional trio of detectives – a newspaper reporter named John Moore, a female secretary named Sara Howard, and a criminal psychologist named Dr. Laszlo Kreizler – are tasked with tracking down a serial killer who is targeting young boys in New York City. Despite their differences and occasional clashes, the trio must work together to unravel the mystery and stop the killer before he strikes again.

    “The Surgeon” by Tess Gerritsen – In this novel, Boston detective Jane Rizzoli teams up with FBI agent Gabriel Dean to catch a sadistic killer who preys on young women. Rizzoli is initially skeptical of Dean’s involvement, but as they work together to solve the case, they develop a mutual respect and understanding.

    Interestingly, in the US TV series Rizzoli and Isles, Rizzoli partners up on her investigations with friend and pathologist Maura Isles. I’m a huge fan. Their multi-level dynamic is lovely, and their contrasting traits and personalities perfectly compliment each other.

    “The Girl with the Dragon Tattoo” by Stieg Larsson – In this novel, journalist Mikael Blomkvist hires Lisbeth Salander, a brilliant but troubled hacker, to help him investigate a decades-old case involving a wealthy family. Despite their vastly different personalities and backgrounds, Blomkvist and Salander form an unlikely partnership as they unravel the dark secrets of the family.

    “The Silent Patient” by Alex Michaelides – In this novel, psychiatrist Theo Faber becomes obsessed with treating Alicia Berenson, a woman who has been accused of murdering her husband and has not spoken a word since the crime. As he delves deeper into her case, he enlists the help of a former criminal named Theo, who holds the key to unlocking Alicia’s secrets. Together, they form an unlikely partnership as they uncover the truth about what happened the night of the murder.

    “The Poet” by Michael Connelly – In this novel, retired FBI agent Rachel Walling teams up with crime reporter Jack McEvoy to investigate a series of murders that may be linked to a notorious serial killer known as “The Poet.” Despite their initial mistrust and professional rivalry, Walling and McEvoy must work together to solve the case and stop the killer before he strikes again.

    Conclusion

    Sidekicks are an essential part of crime fiction, offering a fresh perspective on a case and adding depth to character dynamics. Whether they are partners in law enforcement or criminal accomplices, sidekicks can create tension and conflict, highlighting the strengths and flaws of the protagonist. They have the power to elevate the reading experience and make the story more engaging and immersive.

    So, the next time you pick up a crime novel, take a moment to appreciate the role of the sidekick – you never know, they just might be your new favourite character.

    I’m an avid reader, so I can’t wait to meet more of them!

    Thanks for taking the time to read this post. If you found it informative and entertaining, please consider sharing it with your friends and followers on social media. And if you have any feedback or suggestions for future topics, I’d love to hear from you in the comments below. Don’t forget to subscribe for more content and updates, or pop over to my newsletter page for more crime stuff, direct to your inbox every month.

    See you soon.

    Wendy

      Unpacking the Power of Storytelling: A Look at Our Ancient Connection to Narrative

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      From ancient myths to modern blockbusters, storytelling has been a fundamental part of human culture for thousands of years. We love to hear stories, whether they’re told around a campfire, read in a book, or watched on a screen. But why do stories captivate us so much? What is it about a good tale that can transport us to another world, evoke strong emotions, and leave a lasting impression?

      In this blog post, I’m going to look at the psychological and cultural reasons why humans are drawn to stories and why they continue to be such a powerful force in our lives.

      Reading stories with my mum is one of my earliest and most cherished memories and I love writing stories for my daughters (see pic – my debut, in glorious A5 printer paper!)


      From an early age, long before we can read, we’re immersed in stories. Initially we’re engaged by the repetition of sounds and patterns which promotes brain development and imagination, develops language and emotions, and strengthens relationships. We have a need for emotional connection and stories allow us to gain a deeper understanding of other people’s experiences, in a memorable and immersive way.

      Throughout history, humankind has used stories to share information. Stories can elicit change, warn or teach important concepts, or simply entertain us. We might laugh or cry, feel anxious or angry with the characters we’ve invested in, and any of these provide a powerful emotional connection.


      The science bit


      As a storyteller, I find this fascinating, and so is the science bit. ‘Narrative progression’ as it’s called, feeds our brains. Being engrossed in a book or movie stimulates our senses and cause measurable reactions in our brain’s chemistry. Dopamine makes us feel motivated and focused, oxytocin (the ‘love chemical’) promotes feelings of trust and bonding, while endorphins give us a positive buzz.

      Image credit: Pamela Rutledge


      The two parts of our brain most engaged by stories are the prefrontal cortex and the amygdala. The prefrontal cortex is the area of the brain responsible for cognition and understanding. As we follow a story, it absorbs the information and commits it to short-term memory. The amygdala, however, is responsible for emotion and long-term memory. As our prefrontal cortex receives information, the amygdala essentially “codes” the information based on the emotion we feel, which aids the processing of long-term memories. Both areas of the brain are essential to deep learning and recall.


      What makes a good storyteller?


      Think about anyone you know who you’d describe as a good storyteller, someone at work or a friend. What makes them so engaging? Chances are they use relatable characters, intriguing plot, emotional connection and a satisfying conclusion, mingled together to create a cocktail of all those chemicals.


      As readers, we naturally search for something in characters which we can relate to. It enhances our experience of the narrative and the feeling of trust and empathy can give us a quick dose of oxytocin. The ‘hero’s journey’ from adversity to triumphant success is a familiar trope used by storytellers and forms the backbone of many great stories. The journey from adversity to triumph fires up all the chemicals in our brains and gives us that ‘feel good’ feeling. Subconsciously we search for an emotional connection and without it even a good story might not be committed to memory.


      What about happy endings? Again, many great stories lead us to a satisfying conclusion, which gives us another dose of feel good as all loose ends are tied together and the hero or heroine triumphs. If we don’t experience this pay-off, we can be left feeling cheated or disappointed. Think of that series you invested hours in, where the big reveal at the end is more of a limp fob-off. It’s devastating!


      Storytelling is critical in our learning process. It aids our engagement with a subject and our retention of information.


      Can you use storytelling in business?


      Storytelling is just as important in business too, and it doesn’t matter how dry the subject is.

      A few years ago I worked as an actor on a commercial project for a battery manufacturer. The client had asked a video production company ABF, to create a training video on battery safety for its employees. ABF presented a concept which went on to win awards and was a wonderfully creative and innovative interpretation of the brief.


      They told a story.


      The video was shot like a mockumentary and showed a group of employees going through a series of training sessions. They had characters (the employees), plot and conflict (the training sessions) emotional connection (the employee and trainer relationships) and a satisfying conclusion (everyone passed the training, with a hint of romance thrown in).
      They created a training tool which people enjoyed and engaged with. It entertained, took people on a journey and helped with their learning.

      If you’d like to watch it, it’s on Facebook here.

      Humans love stories because they are the framework of our perception. Stories can change our minds, make us feel something new, win our hearts. We react deeply to stories when they communicate information in a primal, insightful way and it’s what we’re looking for when we browse the bookshelves, choosing our next read or when we’re trawling through Netflix.

      Some stories have a huge impact on us and can change our perception of society. Here are a few examples of stories that have had a big impact on people’s lives:

      The Diary of Anne Frank: This book, which chronicles the experiences of a young Jewish girl during World War II, has been a powerful tool for teaching empathy and tolerance to generations of readers. Many people credit Anne’s story with helping them better understand the horrors of the Holocaust and the importance of standing up against hatred and discrimination.

      To Kill a Mockingbird: Harper Lee’s classic novel, which explores issues of race, justice, and morality in the American South, has been hailed as a powerful tool for promoting empathy and understanding. Many people credit the book with helping them see the world through a different lens, and inspiring them to take action against injustice in their own communities.

      The Fault in Our Stars: This novel by John Green, which tells the story of two teenagers with terminal illnesses who fall in love, has been a powerful source of inspiration and comfort for many people dealing with illness or loss. Readers have praised the book for its honest portrayal of the challenges of living with a serious illness, and its message of hope and resilience in the face of adversity.

      The West Wing: This TV show, which aired from 1999-2006, has been credited with inspiring a new generation of young people to get involved in politics. The show, which follows the staff of the fictional White House under President Jed Bartlet, has been praised for its smart writing, engaging characters, and optimistic portrayal of the political process.

      Personal stories can be incredibly powerful in inspiring people to take action or make a change in their own lives. For instance, hearing the story of someone who overcame addiction or achieved a lifelong dream can be incredibly inspiring, and may motivate others to pursue their own goals and aspirations.


      Stories have been a fundamental part of human culture and communication for thousands of years. As human beings, we are naturally drawn to narratives because they help us make sense of the world around us and understand ourselves and others better.

      Stories have the power to move us emotionally, inspire us to take action, and connect us with others on a deeper level. Whether it’s a classic novel, a movie, or a personal anecdote, stories can transport us to different times, places, and perspectives, and help us gain new insights and perspectives.

      So, the next time you find yourself captivated by a story, remember that you’re not alone – people have been fascinated by storytelling for generations, and it’s one of the things that makes us uniquely human.

      Thanks for taking the time to read this post. If you found it informative and entertaining, please consider sharing it with your friends and followers on social media. And if you have any feedback or suggestions for future topics, I’d love to hear from you in the comments below. Don’t forget to subscribe for more content and updates, or pop over to my newsletter page for more crime stuff, direct to your inbox every month.

      See you soon.

      Wendy

        Beyond the Sensationalism: Understanding the Complexities of Our Fascination with True Crime

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        Crime and killers have long captivated the public imagination, whether through sensational media coverage, true crime documentaries, or fictional depictions in books and movies. But why are we so fascinated by these dark and often disturbing topics? What drives our interest in the minds and actions of those who commit violent crimes?

        In this blog post, I’ll explore some of the reasons why crime and killers have become such enduringly popular subjects and look at topics that captivate us, our fascination with the macabre, and the ways in which popular culture has both reflected and reinforced our interest in these topics.

        Our fascination with killers

        The public’s fascination with notorious killers such as Ted Bundy and Jeffrey Dahmer are a stark example of our captivation with the actions and motivations of criminals. These two individuals in particular, due to the heinous nature of their crimes and their widespread media coverage, have become household names and continue to be subjects of intense public interest.

        Bundy’s charm and charisma, coupled with his horrific acts of violence against women, have made him a subject of fascination for decades. His high-profile trial and eventual execution only added to his infamy, with media outlets covering every aspect of his case in minute detail.

        Similarly, Dahmer’s gruesome crimes, which included cannibalism and necrophilia, shocked and horrified the public. His trial, which revealed the depths of his depravity, was widely covered in the media and cemented his status as one of the most notorious killers in modern history.

        The ethical dilemma

        When my mum (an avid reader and a fan of gory dramas) read an early draft of ‘Justified’ she said to me, “How did you come up with such a grisly murder?” It made me think. Not so much about where the idea came from, but about the concept of murder as entertainment and the ethical dilemma faced by murder mystery and crime writers.

        Recently, the same question has been raised about the glamorisation of true crime following the huge success of the Jeffery Dahmer series. True crime is one of the fastest growing genres of entertainment and its followers are insatiable, demanding more stories about humanity at its darkest.

        “Serial killers tantalize people much like traffic accidents, train wrecks, or natural disasters,” Scott Bonn, professor of criminology at Drew University and author of Why We Love Serial Killers, wrote at TIME. “The public’s fascination with them can be seen as a specific manifestation of its more general fixation on violence and calamity. In other words, the actions of a serial killer may be horrible to behold but much of the public simply cannot look away due to the spectacle.”

        But true crime is about real people, in real, terrible situations, and that comes with real consequences. Some insist true crime exploits victims and their families, while others argue that it helps people to process their greatest fears, that it gives an insight into our culture and norms as well as our anxieties and values. Whichever side of the fence you sit on, ethically, true crime blows through our lives on a precarious breeze.

        Our enduring fascination

        The enduring fascination with crime and killers is a phenomenon that has captivated people for centuries. The media is awash with true crime shows, books, and podcasts, all catering to our insatiable appetite for the dark and disturbing. But why are we so drawn to these stories of murder and mayhem?

        Some might argue that people are interested in crime and killers simply because it’s human nature to be drawn to sensational or dramatic events. After all, tales of violence and wrongdoing have been part of human storytelling for millennia, from the ancient Greek myths to Shakespeare’s tragedies. However, this argument alone does not fully account for the enduring popularity of these topics.

        The appeal of true crime content, in particular, is not simply due to its sensational nature. True crime often involves detailed and often graphic depictions of real-life crimes, which can provide a sense of realism and authenticity that fictional crime stories may lack. It allows us to explore the darkest corners of the human psyche and understand the motivations behind heinous acts.

        Another counterargument might be that our fascination with crime and killers is a result of media sensationalism, with news outlets and entertainment companies exploiting our fear and fascination with violence for profit. While it’s true that media coverage can shape public perceptions of crime and violence, our interest in these topics long predates the rise of modern media.

        For instance, newspapers in the 19th century reported on sensational murder trials, and crime fiction has been popular since the days of Edgar Allan Poe.

        So what are the cultural and psychological factors that drive our fascination with crime and killers?

        One possible explanation is that it provides a way to explore the darker side of human nature in a safe and controlled environment. By consuming true crime content, we can satisfy our curiosity about these topics without actually putting ourselves in danger. Additionally, it may allow us to feel a sense of superiority or moral superiority, by exploring the actions of those we consider to be deviant or immoral.

        Fascination with death

        As I mentioned earlier, as human beings our fascination with killers, murder and all things death related has been around for centuries.

        The paradox of violence and enjoyment dates back as long as human society and recorded history, from the prehistoric period and later Roman gladiatorial games.

        The Victorians were fascinated by death which extended to the production of a range of Memento Mori, objects designed to remind the owner of the death of a loved one and indeed, their own eventual demise. Photographs of dead relatives became an increasingly popular feature of family albums. Not entertainment as such, but their approach to violent crime was much more recreational:

        • The public would explore crime scenes before the arrival of the police following a murder.
        • This allowed them to view the gory scene in its entirety; dead bodies and all.
        • Funerals were attended out of curiosity and were quite often public events, especially if the deceased had been murdered.
        • Accused murderers would be executed and then potentially carried down through main street for all the spectators to see.
        Image credit: Lang Pioneer Museum

        In a completely morbid sense death is compelling, yet we fear it. You’d think that as we’re all so open about death –  reading about it, watching people die on TV and in movies – that the process of dying shouldn’t be a taboo topic. But, as soon as death becomes personal the discussion ends. Suddenly, it’s completely unreasonable to talk about death. A guy’s head being skewered on a spike in Last Kingdom – not a problem. Talking about your own death – no thanks.  

        The origin of murder investigation in fiction

        To bring this back to fiction, it’s perhaps no coincidence then that the first modern detective story is generally thought to be to Edgar Allan Poe’s “The Murders in the Rue Morgue” written in 1844, the Victorian era. In the story, Auguste Dupin solves the mystery of the brutal murder of two women in Paris. Poe’s Dupin isn’t a detective but he decides to investigate the murders for personal amusement. He displays many attributes which became literary conventions in later fictional detectives, including Sherlock Holmes and Hercule Poirot.

        The genre has increased in popularity ever since. A quick search on Amazon for ‘murder fiction’ brings up 100k+ results.

        Why is crime fiction so popular?

        Crime fiction usually gives us a resolution along with an insight into what makes people tick. One of the reasons crime fiction is popular is because people are fascinated by human behaviour. Sometimes we’re warmed by the actions of others and at other times horrified and appalled by it. In fiction we can safely read about the darker side of humanity, and most of us enjoy the neatness of a crime solved and a criminal brought to justice. That doesn’t always happen in real life, but crime novels usually restore balance.

        Plus, we like puzzles and piecing together the parts of the mystery. Can we solve the crime before the detective in the book?

        We grow up reading stories which follow the same pattern; the big bad wolf eventually gets his comeuppance for terrorising the three little pigs. The fact that he ends up boiled alive is a whole new subject altogether, but it demonstrates two things; firstly, the parallel between children’s and adult’s stories, and secondly that we’re exposed to violent death from an early age. Bambi broke my heart!

        Bambi. Credit: Disney
        The Three Little Pigs
        Watership Down. Credit: Everett collection/Rex

        For me, a good crime novel is always about the characters, their motivations and their relationships rather than the actual murder. Yes, I enjoy the pace and suspense, but ultimately, I want to know what makes the characters tick.

        Because a crime scene is fascinating, but the human mind is infinitely more intriguing.

        In conclusion, our fascination with crime and killers is a complex and multifaceted phenomenon that can’t be reduced to any single explanation. While human nature and media sensationalism may play a role, they do not fully account for the enduring popularity of these topics or the specific appeal of true crime content. Rather, a variety of cultural and psychological factors, such as our desire for justice, our fascination with the darker aspects of human nature, and our need for narrative resolution, all contribute to our ongoing interest in crime and killers.

        Whether you’re a true crime enthusiast, a casual consumer of crime-related media, or simply curious about this enduring cultural fascination, I hope this blog post has given you some insights into the many factors that drive our interest in this topic.

        Thanks for taking the time to read this post. If you found it informative and entertaining, please consider sharing it with your friends and followers on social media. And if you have any feedback or suggestions for future topics, I’d love to hear from you in the comments below. Don’t forget to subscribe for more content and updates, or pop over to my newsletter page for more crime stuff, direct to your inbox every month.

        See you soon.

        Wendy

          Inspirations: The Literary Voices That Inspired My Writing Journey

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          As an author, inspiration can come from a variety of sources – from personal experiences and observations, to other works of literature and art. In this blog, I’ll explore some of the literary inspirations that have influenced my writing journey. From classic authors to modern-day crime writers, I’ll delve into the works that have shaped my writing style and approach, and share some insights into how these inspirations have helped me to craft my own voice. Whether you are an aspiring writer or simply a lover of literature, I hope that this blog will offer some insights and inspiration to help you on your own creative journey.

          Early days

          The inspiration to write began for me in childhood and came from a love of stories and the escapism of immersing into another world.

          I had a lovely family and a happy home, but I remember at times being bored by the mundanity of everyday life. Where could I go, who else could I be, what experiences could I have through opening up my imagination and being somewhere else?

          Enid Blyton

          Enid Blyton satisfied my thirst for adventure in my early days, first with The Magic Faraway Tree series and later with The Famous Five and the Malory Towers books. They were entertaining and immersive but also influential in supporting a strong moral framework. I so wanted to be George in the Famous five, solving mysteries with my friends and my dog at my side!

          As an adult, I enjoy how she wrote from her unconscious mind or her ‘under-mind’ as she described it, in a largely unplanned and spontaneous way. In this quote, from a letter to psychologist Peter McKeller (who wrote to her asking about her imagery techniques), she describes her writing method:

          I shut my eyes for a few minutes, with my portable typewriter on my knee – I make my mind a blank and wait – and then, as clearly as I would see real children, my characters stand before me in my mind’s eye … The first sentence comes straight into my mind, I don’t have to think of it – I don’t have to think of anything.

          Photograph: Popperfoto/Getty

          As a writer who finds outlining and planning a grind, I love the freedom she expresses here. As she explained in her autobiography: “If I tried to think out or invent the whole book, I could not do it. For one thing, it would bore me and for another, it would lack the ‘verve’ and the extraordinary touches and surprising ideas that flood out from my imagination.”

          Of course, she faced a critical backlash and has been decried for rehashing stories, plagiarising other books (including her own) and for ‘lacking literary merit’. She’s been accused of racism, xenophobia, and sexism and later editions of her books amend some references for modern day readers. I do love her response to her critics though, which was that they were motivated by jealousy, and she wasn’t interested in the opinion of anyone over the age of 12.

          Enid Blyton’s huge body of work has influenced many modern day authors including Peter Hunt, Jaqueline Wilson and Stieg Larsson, and her stories and characters certainly had an impact on me.

          Elizabeth Chadwick

          For her ability to breathe life into historical characters Philippa Gregory remains an inspiration to me, along with Ken Follet (Pillars of the earth series – truly magnificent) and Elizabeth Chadwick. Her William Marshall books, especially Scarlet Lion, are beautifully crafted, and her ability to transport the reader back in time is breath-taking. I’m sure Henry Stanton, referenced in ‘Justified’ as John’s historical hero, was inspired by her description of tournaments in the 12th and thirteenth centuries.

          Elizabeth (who was born in Bury where I live – random fact) is renowned for her historical accuracy and diligent research methods when drafting her books. Want to know what a cauldron of pottage is like? Cook it. Want to know what chain mail feels like? Wear it! I love this commitment to truly understanding what you’re writing about and how it elevates her descriptions to a higher level of richness.

          Interestingly to me, she has also investigated the use of akashic records when trying to ‘reach’ or understand a particular character. Now this is a vast subject and a diversion from this article, but as someone interested in past life regression and reincarnation, I was intrigued by this more unusual method of author research.

          Briefly, the akashic records are believed to be an energetic log, a Google search for your soul. In it are records of everything that has ever existed or taken place, including a record of all universal events, thoughts, words, emotions and intent ever to have occurred in the past, present, or future in terms of all entities and life forms.

          In essence, when you read your own records or the records of someone else, you are connecting with the soul of a person. It’s a sacred space. One that is deeply personal, private and that spans all the lifetimes of a particular soul.

          My characters are entirely fictitious, but for Elizabeth Chadwick, trying to truly understand a real character from over 700 years ago, I can see how this would be a fascinating avenue of research.

          Stephen King

          Of all the great storytellers I’ve enjoyed, Stephen King has had the most impact and remains at the top of my ‘greatest inspirations’ list. My dad first introduced me to the horror and thriller genre, first with Dean Koontz (another favourite) and inevitably Stephen King. He is an exceptional storyteller, and his ability to build tension and an overarching sense of impending doom is unrivalled. I love the pungent prose and laid-back style which make his books so unique and he’s a master craftsman of vivid description that puts the reader right there alongside his characters. Hard to choose a favourite from his book list but It for its epic landscape and detail and The Dark Half for its creative intrigue, would be my picks.  

          Stephen King’s written extensively about writing and his book ‘On writing’ is a must for anyone interested in becoming an author. His observations and advice are expressed in an approachable way through his struggles (and repeated rejections) during the years he developed his craft.

          In my late teens I was a passenger in a car accident and had to appear as a witness in court. It was a grim experience and testifying was terrifying, but it was the catalyst for my fascination with courtroom dramas and police investigations. I devoured John Grisham, Scott Turow and Michael Connelly and more recently Peter James, Peter Robinson and James Patterson. Each of these exceptional authors cleverly concoct the ultimate cocktail of character, story and plot.

          Thomas Harris

          My last mention is Thomas Harris, who beautifully straddles the horror, crime and thriller genres. ‘Silence of the lambs’ blew me away when I first read it (before the movie came out) and Hannibal Lecter is now an iconic character, perhaps because as readers we’re both captivated and repulsed by him. He’s intelligent and cultured but capable of extreme violence, he’s smart and cunning but eats the humans he kills. Harris crafts a complex character and draws his readers into a dark, terrifying but fascinating world. The conversations between Clarice and Hannibal are far deeper in the book and demonstrate remarkable knowledge of the human mind and how our pasts imprint on our present.

          Read ‘Red Dragon’ first then ‘Silence of the lambs’ for a masterclass in super-smart suspense and horror.  

          So that’s a race through my inspirations, all of whom I’m sure have influenced my own writing in some way.

          Motivational speaker Jim Rohn famously said that we are the average of the five people we spend the most time with. How wonderful would it be if we became an author amalgamation of the five writers we spent the most time with? 😊

          In conclusion, my literary inspirations have played a crucial role in shaping my writing journey, and these writers have not only inspired me but also challenged me to push my own creative boundaries.

          Whether you are an aspiring writer or simply a lover of literature, I hope that my exploration of these inspirations has offered some insights and inspiration to help you on your own creative journey. Remember, the most important thing is to stay true to your own voice and vision, and to keep writing with passion and purpose.

          Thanks for taking the time to read this post. If you found it informative and entertaining, please consider sharing it with your friends and followers on social media. And if you have any feedback or suggestions for future topics, I’d love to hear from you in the comments below. Don’t forget to subscribe for more content and updates, or pop over to my newsletter page for more crime stuff, direct to your inbox every month.

          See you soon.

          Wendy